Thursday, 3 November 2011

Article about Garbage Patch from San Francisco chronicle

At the start of the Academy Award-winning movie "American Beauty," a character videotapes a plastic grocery bag as it drifts into the air, an event he casts as a symbol of life's unpredictable currents, and declares the romantic moment as a "most beautiful thing."
To the eyes of an oceanographer, the image is pure catastrophe.
In reality, the rogue bag would float into a sewer, follow the storm drain to the ocean, then make its way to the so-called Great Pacific Garbage Patch - a heap of debris floating in the Pacific that's twice the size of Texas, according to marine biologists.
The enormous stew of trash - which consists of 80 percent plastics and weighs some 3.5 million tons, say oceanographers - floats where few people ever travel, in a no-man's land between San Francisco and Hawaii.
Marcus Eriksen, director of research and education at the Algalita Marine Research Foundation in Long Beach, said his group has been monitoring the Garbage Patch for 10 years.
"With the winds blowing in and the currents in the gyre going circular, it's the perfect environment for trapping," Eriksen said. "There's nothing we can do about it now, except do no more harm."
The patch has been growing, along with ocean debris worldwide, tenfold every decade since the 1950s, said Chris Parry, public education program manager with the California Coastal Commission in San Francisco.
Ocean current patterns may keep the flotsam stashed in a part of the world few will ever see, but the majority of its content is generated onshore, according to a report from Greenpeace last year titled "Plastic Debris in the World's Oceans."
The report found that 80 percent of the oceans' litter originated on land. While ships drop the occasional load of shoes or hockey gloves into the waters (sometimes on purpose and illegally), the vast majority of sea garbage begins its journey as onshore trash.
That's what makes a potentially toxic swamp like the Garbage Patch entirely preventable, Parry said.
"At this point, cleaning it up isn't an option," Parry said. "It's just going to get bigger as our reliance on plastics continues. ... The long-term solution is to stop producing as much plastic products at home and change our consumption habits."
Parry said using canvas bags to cart groceries instead of using plastic bags is a good first step; buying foods that aren't wrapped in plastics is another.
After the San Francisco Board of Supervisors banned the use of plastic grocery bags earlier this year with the problem of ocean debris in mind, a slew of state bills were written to limit bag production, said Sarah Christie, a legislative director with the California Coastal Commission.
But many of the bills failed after meeting strong opposition from plastics industry lobbyists, she said.
Meanwhile, the stew in the ocean continues to grow.
The Great Pacific Garbage Patch is particularly dangerous for birds and marine life, said Warner Chabot, vice president of the Ocean Conservancy, an environmental group.
Sea turtles mistake clear plastic bags for jellyfish. Birds swoop down and swallow indigestible shards of plastic. The petroleum-based plastics take decades to break down, and as long as they float on the ocean's surface, they can appear as feeding grounds.
"These animals die because the plastic eventually fills their stomachs," Chabot said. "It doesn't pass, and they literally starve to death."
The Greenpeace report found that at least 267 marine species had suffered from some kind of ingestion or entanglement with marine debris.
Chabot said if environmentalists wanted to remove the ocean dump site, it would take a massive international effort that would cost billions.
But that is unlikely, he added, because no one country is likely to step forward and claim the issue as its own responsibility.
Instead, cleaning up the Great Pacific Garbage Patch is left to the landlubbers.
"What we can do is ban plastic fast food packaging," Chabot said, "or require the substitution of biodegradable materials, increase recycling programs and improve enforcement of litter laws.
"Otherwise, this ever-growing floating continent of trash will be with us for the foreseeable future."
How to help
You can help to limit the ever-growing patch of garbage floating in the Pacific Ocean. Here are some ways to help:
Limit your use of plastics when possible. Plastic doesn't easily degrade and can kill sea life.
Use a reusable bag when shopping. Throwaway bags can easily blow into the ocean.
Take your trash with you when you leave the beach.
Make sure your trash bins are securely closed. Keep all trash in closed bags.
Trash is also a problem in parts of San Francisco Bay. For an interactive map showing some of the worst locations, go to www.savesfbay.org/baytrash.
- Justin Berton jberton@sfchronicle.com
This article appeared on page W - 8 of the San Francisco Chronicle


Wednesday, 26 October 2011

Whats it all about?



The work ‘What lies beneath’, featuring the Sea Hammock asks us to look at how we ‘seal the fate’ of our children and future generations though our current relationship with the environment.

This installation can be seen as a means of bringing our awareness to nature. From seeing it we might ask ourselves how are our local gannet, seal and penguin colonies as well as the other sea-life, which take part in the Bonney Upwelling, such as the krill, whales and sharks are being affected by the flotsam and jetsam, which was found on local beaches and then incorporated into the work.
For example when some biodegradable plastics break down in the ocean they mimic small fish and are ingested by birds, fish, dolphins and seals causing choking, obstructions in their digestive tracts and sometimes starvation.  Some plastics also leach toxins into the sea as well as poison the food chain.

The “Seal Your Fate” motto, expressed in some of the artwork in this installation, might lead us to ponder how we can further make responsible choices in our lives and our jobs to bring about a more positive and compassionate relationship between us and the sea.




Monday, 24 October 2011

Nearly there - Upwelling Festival Day - this Saturday October the 29th, 2011.


Had Jeremy Lee from ABC Regional Radio in the studio today.
The interview can be heard on Thursday between 6-8am
on 96.9 FM




Julia Street Creative Space Upstairs Studio with artworks 
destined to go under hammock canope on Henty Beach (Weather permitting)
Upwelling Festival Day - this Saturday October the 29th,  2011.
Otherwise you can see these works in the upstairs studio at 
19-21 Julia Street, 





Newest work by artist Catherine Bailey

Seal Your Fate

made from Altered Abalone Bags, Acetate, Photocopies, 
Permanent Marker, Fishing Line, Cotton Thread
Flotsam and Jetsam




This work incorporates work from the artist and students
 from the Portland Re-engagement Centre

Bag lady 

Plastic Bags, Permanent Marker and Bubble Wrap

Friday, 21 October 2011

Portland Re-engagement Centre

One of the community partnerships which was initiated by Nikki Pevitt, the Arts Program Coordinator at the Julia Street Creative Space, was with the Re-engagement Centre. The students from the Re-engagement Centre along with the coordinator Chris Thomas, teachers Kara Young and Todd Barnes and volunteer Andrew Eade became actively involved in the making of the Sea Hammock. They did a mind blowing amount of work in a very short amount of time which I put down to truckloads of creativity and talent, great support and leadership from Chris, Kara, Andrew and Todd and a real enthusiasm for making something artistic for the community. 

Whilst making the hammock is the fairly pre-structured part of the project, creating artwork with the Students from the Re-engagement Centre was a more organic process driven by the students. Firstly to gage their artistic abilities and the group dynamics students tried a bit of drawing and tracing Upwelling Animals on plastic bags. This lead to the large 2mx2m plastic bag sculpture which also includes a little bit of the artist's recycled artwork from a previous plastic bag installation. We beach-combed for the next 3 - 4 weeks collecting flotsam and jetsam from Whites, Murrel's, Shelly and Bishop's head beaches.  There was a lot of plastic flotsam and jetsam on these beaches which look out towards the place where the Upwelling Event occurs. So students talked a bit on these trips about the effects of plastic on sea life, what toxins it releases into the oceans as it slowly breaks down, how that gets into animals and human systems and how it might mimmic little fish as its breaking down and get caught in the stomachs of local wildlife such as seals, penguins, birds etc. During one trip to Shelly beach a student called Miranda, was taking photos of some beach debris and came up with the idea of photographing the flotsam and jetsam and then collaging the photos onto cardboard which was cut in the shapes of seals, dolphins etc.   This led to one of the major projects by the students from the Re-engagement Centre.  Please see  - Steps to making the life-sized collaged sea animals below. 

Apart from these two projects, within the bigger project, the students and teachers from the Re-engagement Centre made at least half of the canope made of 12 pack rings for the hammock, measured all the rope used, made a tent for the tenticles project, and projected, drew, cut and painted all of the iridescent-painted canvas animals which are cable-tied to the underside of the hammock canope.  Please see the Youtube video of students Dav and Daerin making a 2x2m section of the sea hammock. Thanks Aaron for the filming. Making sections of the hammock was repetitive and frankly boring (as well as tough on the knees) but these guys made it seem like its fun. Also I did almost promise Andrew, who was volunteering his time to the Reengagement Centre, a plaque for his efforts in the making of the hammock. Not sure if he can ever be repaid. So this community partnership created the foundation and much of the major work for the hammock.  And I am really indebted to the students and teachers for the amazing, festive, artistic and humorous work they did for the overall project.


Steps to making the large collaged sea animals.

1. Shelby, Annabel and Alesha took photos of mainly plastic flotsam and jetsam collected by all the Reengagement students of local beaches.

2.  Rob,  David,  Miranda,  Lawannah,  Dan, Talia and Jenelle projected images onto cardboard of seals and dolphins and then they and others from Tuesday group cut them out.  Dav and Rob did much of the tracing and drawing of the animals

3. Everyone participated in the collaging of the animals with the photographs including Chris, Tod,  Kara and many more students such as Shelby, Jenelle, Daniel,  Sharon,  Jorden, Taya, Lawannah, Talia, and Tesharni.

4. Dylan and Jake made holes in the pieces and tied string to them as well as designed and crafted the red-net fish (at the same time) - multi-talented.







Concept by Miranda

Photos by Shelby,  Annabel and Alesha


































Collaged Upwelling Animal made by many hands




Collaged Upwelling Animal made by many hands







Collaged Upwelling Animals made by many hands



Portland Re-Engagement Centre

"............through projects like yours (The Sea Hammock) the students are not just learning about art - they are learning team skills, improving their communication and also giving to the community  (in the form of the artwork for the Upwelling Festival) which has been so supportive of them through the Re-engagement Centre "

Chris Thomas - Coordinator of the Portland Reengagement Centre



Artist's work to date #2 - Altered Abalone Bags for work- Krilling me Softly and Seal your fate



The Big Krill
 Altered Abalone Bag for larger work - Krilling Me Softly




The Big Whale

 
Altered Abalone Bag for larger work - Krilling Me Softly




Krilling Me Softly

Materials - Abalone Bags, plastic toys, photcopies,
transparencies, cotton, cheese cloth, tread, flotsam and jetsam,
permanent marker
size = diameter 1.5m
length 2.5m





FATE
Altered Abalone Bag for work - Seal your fate





FATE
Altered Abalone Bag for work - Seal your fate





Seal Your Fate
Altered Abalone Bag for work - Seal your fate

Materials - Abalone Bags,  photcopies,
transparencies, cotton tread, cheese cloth, flotsam and jetsam,
blue permanent marker.

Friday, 7 October 2011

Artist's work to date - Altered Abalone Bags for work- Krilling me Softly




Altered Abalone Bag Migration for work -
 Krilling me Softly





Altered Abalone Bag Sting-ray for work -
 Krilling me Softly












Altered Abalone Bag Sea Birds of Upwelling for work -
 Krilling me Softly







Altered Abalone Bag Whale Migration Map with Dolphins
 (Dolphins by David from Reengagement Centre) for work -
 Krilling me Softly





Making a Beach Debris Sculpture


Bella (Above) and Maddie and Rochelle (Below) 
were guests in the Julia Street Creative Space
Studio.




They made Beach Debris Sculptures out of
recycled calenders 
and fishing line, beach debris....



......drift wood, op shop recycled plastic balls and some
material donations in the form of plastic mermaids
from Trevor Smith. 





Ta Da! 
Finished Works.
Light and floaty.
Thanks for your gorgeous creativity!
These works can be collected by their owners
on the 19th November or donated to our African Appeal
Hammock Exhibition held at the Julia Street Creative Space from 5th November, 2011.